David Freedberg's articles on neuroaesthetics

01/01/2007 (Circa)01/01/2009 (Circa)

For Freedberg as for others, the neural turn will renew the humanities and make them more meaningful; in aesthetics and art history, it will counter “intellectualizing views of art” (Freedberg 2009c) and make up for the “elimination of the emotional, the empathetic and the realm of non-cognitive corporeal response” said to characterize most of twentieth-century art history and criticism (Freedberg and Gallese 2007, 199). In those fields, Freedberg (2007, 23) explains, emotions “were felt to be too random, too embarrassing and too incidental to the transcendental value of art.”

While the anthropological and art historical “orthodoxy” allegedly refuses to analyze emotional responses independently of their cultural and historical contexts, neuroscientific research since the 1990s has corroborated insights about empathy as an embodied emotion that were first formulated by several late nineteenth- and early twentieth-century philosophers, psychophysiologists, and art historians (Freedberg 2007, 27–29; 2009a, 87; 2009b, 70; Freedberg and Gallese 2007, 198).

Vidal, Fernando and Ortega, Francisco. Being Brains: Making the Cerebral Subject (Forms of Living)....

Watch David Freedberg talk about his views on neuroaesthetics:
Professor David Freedberg - Neuroscience of Emotion
Conference; Art and the New Biology of Mind, David Freedberg interviewed
Access the articles below:Freedberg, D. 2007. “Empathy, Motion, and Emotion.” In Wie sich Gefühle Ausdruck verschaffen. Emotio...Freedberg, D. 2008. “Antropologia e storia dell’arte: la fine delle discipline?” Ricerche di Storia...Freedberg, D. 2009a. “Immagini e risposta emotiva: la prospettiva neuroscientifica.” In Prospettiva...Freedberg, D. 2009b. “Choirs of Praise: Some Aspects of Action Understanding in Fifteenth-Century Pa...Freedberg, D. 2009c. “Movement, Embodiment, Emotion.” In Histoire de l’art et anthropologie. Paris,...

Freedberg, David, and Vittorio Gallese. 2007. “Motion, Emotion, and Empathy in Aesthetic Experience....


No comments avaliable.



Published in 18/01/2019

Updated in 19/02/2021

All events in the topic Chap. 2: Neuroaesthetics:

01/01/1997 (Circa)01/01/1999 (Circa)Coining of the word NeuroaestheticsCoining of the word Neuroaesthetics
01/01/2010 (Circa)Neuroaesthetics as a field of studyNeuroaesthetics as a field of study
01/01/2013 (Circa)Foundation of the Max Planck Institute for Empirical AestheticsFoundation of the Max Planck Institute for Empirical Aesthetics
01/01/2008 (Circa)Coining of the term NeuroarthistoryCoining of the term Neuroarthistory
01/01/2004 (Circa)Neural Correlates of Beauty, by Hideaki Kawabata and Semir ZekiNeural Correlates of Beauty, by Hideaki Kawabata and Semir Zeki
01/01/2000 (Circa)fMRI Experiment on Art Creation, by Robert SolsofMRI Experiment on Art Creation, by Robert Solso
01/01/1964 (Circa)Andy Warhol's Brillo BoxAndy Warhol's Brillo Box
01/01/1989 (Circa)The Power of Images, by David FreedbergThe Power of Images, by David Freedberg
01/01/2007 (Circa)01/01/2009 (Circa)David Freedberg's articles on neuroaesthetics
01/01/1992 (Circa)Discovery of Mirror NeuronsDiscovery of Mirror Neurons
01/01/2015 (Circa)Out of Our Heads: Why You Are Not Your Brain, by Alva NöeOut of Our Heads: Why You Are Not Your Brain, by Alva Nöe
01/01/1993 (Circa)Andy Warhol: Brillo Box, by Arthur DantoAndy Warhol: Brillo Box, by Arthur Danto