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Foundation of the Max Planck Institute for Empirical Aesthetics

01/01/2013 (Aprox)


In 2013 a major institutional step was accomplished with the establishment of a Max Planck Institute for Empirical Aesthetics in Frankfurt. While this institute does not identify itself with “neuroaesthetics,” it includes a neuroscience department, and its self-presentation as an interdisciplinary enterprise that “focuses primarily on the foundations of aesthetic evaluation, perception and experience” largely matches the discipline’s profile.


Vidal, Fernando and Ortega, Francisco. Being Brains: Making the Cerebral Subject (Forms of Living)....

The Max Planck Institute for Empirical Aesthetics. Photograph obtained from the official website.

About the Max Planck Institute for Empirical Aesthetics

Why do people perceive music and literature as varying in their beauty based on factors such as culture, society, historical period and individual taste? The Max Planck Institute for Empirical Aesthetics, founded in 2012, aims to use scientific methods to explain the psychological, neuronal and socio-cultural basis of aesthetic perceptions and judgements. The institute, which is currently in the process of being established, will be managed by a Board of Directors consisting of four scientists whose expertise covers the areas of literature, music, and the empirical cognitive and social sciences. The research programme will focus on music and literature, and, in cooperation with the Max Planck institutes for art history in Florence and Rome, the visual arts. Other fields, such as architecture and fashion will be incorporated by way of Max Planck research groups and Max Planck fellows from universities. In addition, the scientists will regularly invite “artists in residence”, in particular composers and writers, to the Institute to participate in research projects.

Learn more at their official website:

MPI for Empirical Aesthetics

Also, here's a talk by the Director of the Language and Literature Department at the MPI for Empirical Aesthetics:
Winfried Menninghaus - What does it mean to be moved by an artwork?

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Published in 15/01/2019

Updated in 19/02/2021

All events in the topic Chap. 2: Neuroaesthetics:


01/01/1997 (Aprox)01/01/1999 (Aprox)Coining of the word NeuroaestheticsCoining of the word Neuroaesthetics
01/01/2010 (Aprox)Neuroaesthetics as a field of studyNeuroaesthetics as a field of study
01/01/2013 (Aprox)Foundation of the Max Planck Institute for Empirical AestheticsFoundation of the Max Planck Institute for Empirical Aesthetics
01/01/2008 (Aprox)Coining of the term NeuroarthistoryCoining of the term Neuroarthistory
01/01/2004 (Aprox)Neural Correlates of Beauty, by Hideaki Kawabata and Semir ZekiNeural Correlates of Beauty, by Hideaki Kawabata and Semir Zeki
01/01/2000 (Aprox)fMRI Experiment on Art Creation, by Robert SolsofMRI Experiment on Art Creation, by Robert Solso
01/01/1964 (Aprox)Andy Warhol's Brillo BoxAndy Warhol's Brillo Box
01/01/1989 (Aprox)The Power of Images, by David FreedbergThe Power of Images, by David Freedberg
01/01/2007 (Aprox)01/01/2009 (Aprox)David Freedberg's articles on neuroaesthetics
01/01/1992 (Aprox)Discovery of Mirror NeuronsDiscovery of Mirror Neurons
01/01/2015 (Aprox)Out of Our Heads: Why You Are Not Your Brain, by Alva NöeOut of Our Heads: Why You Are Not Your Brain, by Alva Nöe
01/01/1993 (Aprox)Andy Warhol: Brillo Box, by Arthur DantoAndy Warhol: Brillo Box, by Arthur Danto