Some phrenologists affirm, that the agitation of a man’s brain by different passions, produces corresponding developments in the form of his skull. Do not let us be understood as pushing our theory to the full length of asserting, that any alteration in a man’s disposition would produce a visible effect on the feature of his knocker. Our position merely is, that in such a case, the magnetism which must exist between a man and his knocker, would induce the man to remove, and seek some knocker more congenial to his altered feelings. If you ever find a man changing his habitation without any reasonable pretext, depend upon it, that, although he may not be aware of the fact himself, it is because he and his knocker are at variance. This is a new theory, but we venture to launch it, nevertheless, as being quite as ingenious and infallible as many thousands of the learned speculations which are daily broached for public good and private fortune-making.
- Sketches by Boz, Chapter VII
About the book
Charles Dickens's first published book, Sketches by Boz (1836) heralded an exciting new voice in English literature. This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer. Sketches is a remarkable achievement, and looks towards Dickens's giant novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention. - Goodreads
Charles John Huffam Dickens (1812–1870) was an English writer and social critic. He created some of...
Inspired by the homonymous book by Fernando Vidal and Francisco Ortega, this timespace presents the authors' genealogy of the cerebral subject and the influence of the neurological discourse in human sciences, mental health and culture.